Andrew Breitbart has a very witty article in today's Washington Times about the left's monopoly of Hollywood -- an article that asks poignant questions, effectively pops some politically-correct balloons, and gives interesting tidbits about Robert Downey Jr and Angelina Jolie.
Here's a teaser:
While it is true that the ratio of Obama-to-McCain bumper stickers in West L.A. is about 250-to-1, there are untold closet Republicans in the entertainment industry who dare not advertise their beliefs in movie studio parking lots. (Unfortunately, car keying is a tactic wielded liberally by the self-described "tolerant.")
But in this land of superficiality and augmented assets, the inconvenient truth is that, in Hollywood, absolute conformity to the Democratic Party is a well-constructed facade. The environment is not so much unfavorable to the Grand Old Party as it is utterly totalitarian. There's simply no lifestyle choice that receives a worse response at dinner parties.
Convicted murderer? Has anyone optioned the rights to your story?
Avowed Marxist? Viva la revolucion!
Scientologist? Do you take Visa or Mastercard?
Syphilitic drug abuser? Let's talk!
Conservative? You should go.
Only proclaiming one's self a practicing Christian is met with greater disdain - making Christian Republicans the gold standard in Hollywood pariah status. Fortunately, their Savior - that dude from Mel Gibson's highest-grossing blockbuster that was shunned by the major studios - wrote the script on how to live with an unpopular point of view...
There are tons of movies on Nazi Germany. But why the dearth of stories on the rise and fall of the Iron Curtain? Are there no stories of tragedy and triumph in the 100 million or so dead, or those who came out alive?
All historical political episodes are seen through the eyes of Democrat protagonists and Republicans are cast as the villains. If only the GOP could outsource its PR burden to the Council on American Islamic Relations (CAIR). Those guys sure know how to erase negative stereotypes from the big screen.
More than a dozen box office failures vilify the troops without a single counterperspective seeing the light of day. Yet one positive Iraq war film, "Brothers at War," dares to tell the story of a noble and patriotic American family - but it can't find a distributor.
The litany of negative consequences to the ideological rigidity of modern Hollywood is virtually limitless. The lack of tension between competing ideas has made the arts increasingly tedious and rendered the celebrities woefully uninteresting...